Entertainment
Six Slasher Movies That Gave Jane Schoenbrun’s Sex and Death at Camp Miasma Its Edge
Jane Schoenbrun could have earned a PhD as a horror fan. The new movie, Teenage Sex and Death at Camp Miasma (out August 7), is both a meta-slasher and an academic review of horror and its many time-honored stereotypes and subliminal sexual messages.
Hannah Einbinder stars as Kris, who is an independent filmmaker assigned to reboot the Sleepaway Camp coded Camp Miasma series. This leads her on a quest to find Billy, the glamorous recluse Gillian Anderson played in the first film. The two begin to explore their relationship to the Miasma films (and the killer Little Death, who is a sarcastic name for the film). Subconscious fears and desires are revealed that cannot be avoided. The film begins with a satire of Hollywood’s reboot culture, laced with cinema studies banter and a sarcastic tone. It gradually loses the scholastic veneer, and becomes a sensual, panting phantasmagoria, culminating in a red corn syrup explosion.
In Miasma, Schoenbrun, like in We’re All Going to the World’s Fair, and I Saw The TV Glow explores our relationship to the media that we consume. Miasma looks at the relationship between media and desire, particularly in terms of how media shapes our fantasies and, in turn, media shapes our fantasies.
We wanted to understand Schoenbrun’s relationship with the genre. They recently sent us their own personal syllabus of slashers, which breaks down all the films that influenced them (including reboots!). Miasma was influenced by these films.
Psycho (1998)
Jane Schoenbrun : The film was a real sneer when it first came out. It won Razzies, I believe. It’s a fun cast. This is a faithful remake, shot for shot, of the original, retaining all the pastiche of the 1950s, yet casually updating it to the 1990s. The ’50s and ’60s glam dialogue is so zany in a modern setting. Everyone was asking, “Why’d you do that?” But I was fascinated by it when I rewatched.
Van Sant, at that time, was well known for being a member of the New Queer Cinema Movement. However, he had just begun his most exciting creative phase, in the 2000s, when he produced Elephant, Paranoid Park and Gerry. These films are very technical. They almost remind me of geographic films. The main interest is in technique and space.
Elephant, as well as Last Days and Gerry are both wonderful because of the way they pay attention to the duration. The film is a kind of circle. You watch a person walking down the hallway, then someone passes in the background. These films are almost like math equations. When I rewatched the remake of Psycho I thought, “Oh this is like a math formula of a movie.” In this formalist exercise, he is studying Hitchcock’s technique.
We talked about this a lot, especially in relation to how musicians cover music. Sometimes, when an artist does a cover of a song they will just make a faithful remake. Gus Van Sant’s remake of a movie made 40 years ago is met with total confusion. As a filmic experiment, it is fascinating.
It’s also fascinating to see how, when he decides to make a change to the original film, he pays homage to it in such a conservative and restrained way. Every little change is incredibly interesting. The only change, and arguably the most significant, that stands out is the shot of Norman Bates looking through the crack into the hotel. We [also] remake this iconic scene in my movie. It’s the classic voyeur scene of Norman Bates looking into the hotel room. There is a tiny sliver light shining through. You can see this in the original Psycho. Gus Van Sant’s remake shows that he is masturbating.
You’re like “You’ve spent years creating this film and kept yourself completely out of it but what do you want to change?”
There is something queering about the work of someone who has a formal interest in queer cinema. To surface sexuality that way in such a faithful dialogue with Hitchcock’s Psycho’s already sexually charged language, I find it fascinating and strange.
Psycho II (1983)
Schoenbrun’s Psycho II would also be included in my Queer Slasher Canon. This one really touched me. Anthony Perkins plays Norman Bates, who has recovered almost as if he had been to conversion therapy. It is towards the end his life that he was portrayed by Anthony Perkins. The killings resume after he’s been reformed. Everyone thinks, “Oh you’re wearing the dress again, aren’t you?”
His performance as a gay man who was secretly homosexual in the 1980s is dripping from this pain. In a way, the film is empathetic towards Norman Bates in such a loving manner that it [subverts] much of the homophobia and transphobia prevalent during the 1980s horror films. It’s really impressive to see Anthony Perkins play the role of Norman Bates with such remorse, humanity and a sense of regret after how the original ended.
Dream Warriors: Nightmare on Elm Street 3 (1987).
Schoenbrun : This is so much more than the third film in this series deserves to be. The original Nightmare on Elm Street is my favourite, but I think the third movie might even be better. All these children are in a mental institution, where they learn that they have the ability to meet in their dream world, be anyone in their dream, and fight Freddy Krueger. This one girl is like “In my dream, I am bad!” She’s wearing a leather jacket and carrying a switchblade. It’s ecstatic, queer and really funny.
Evil Dead II (1987)
Schoenbrun : The movie that had the most influence on Teenage Sex and Death at Camp Miasma was probably Evil Dead II. It’s one of those films I watched on VHS when I was 12 years old. This movie was probably watched a dozen or more times. The excess is so much fun. This was not one of those films where you’re like “Oh my God, this is so disgusting, ew! I have to puke.” The movie was like “Oh my God, there’s just hoses spraying blood everywhere.”
In this sense, I want my film to be giddy. As I rewatch it every year and make movies, I realize A) that it is Sam Raimi creating a live action cartoon. Like Looney Tunes. It’s B) him using every tool in the filmmakers’ arsenal. He uses every crazy gag, gimmick, matte-painted background, stop-motion, claymation and practical effects. They do every crazy thing that he could think of, but in a way that feels simple and in love for cinema.
Bruce Campbell, as an actor, literally fighting against his hand is… I love dance on film. To me, this movie was like ballet. This is so gorgeous. It’s so beautiful. It’s a film that I see as dance.
The Friday 13th Part II (1981).
Schoenbrun Friday the Thirteenth Part 2 is the second of the two films in the series to feature the iconic skewering while having sex. This is obviously a major inspiration for Camp Miasma. Two characters are having sex on the second-floor of the cabin, but you cut to Jason as he walks up the stairs. Then one of them looks up and sees Jason out of corner of his eye. Then it was like, “stab through.” It was like “ok, yeah, I get it, but what about if she had her best orgasm ever right before being stabbed?” This would likely ruin her for the rest of her life.” That was my first thought when I started to make the movie.
Peeping Tom (1960)
Schoenbrun is another one of those films that you can watch and completely dispel the idea that the cinema becomes more provocative over time. This film, to me, is ahead of its time. Not just because of its provocativeness, but also in the Freudian dedication it has made towards flesh and liquids. It was a genre that, along with Psycho, kind of created.
The camera is a kind of prosthesis. It’s like the character couldn’t exist without filmmaking. The camera literally turns into his weapon when it erupts from the lens. He is getting satisfaction from filming, and also piercing his victims through the camera. Then he obsessively watches it again on 16mm. This set was a huge part of Camp Miasma. Brandon Tonner Connolly, Matt Hyland and myself looked at the projection room a lot for Billy’s Cinema in Miasma.
Michael Powell said, “Cinema… is the place where Christianity meets perversions.” I find this quote to be very inspiring. This film… It’s a great text if you want to create a film about the subject matter.
Entertainment
‘DWTS’ Gleb Savchenko Calls Ex’s Claim Authorities Are Searching for Him a ‘Total Lie’
Gleb Savichenko has responded to his ex-wife’s claims that authorities were trying to find him with their daughter. He called the claim a “total lie” in a recent court filing.
According to documents obtained by TMZ from the court, the pro “Dancing with the Stars”, Elena Samodanova, knows where he is and where his 15-year old daughter Olivia lives. Elena Samodanova and Olivia, he says, have also spoken to each other several times after Olivia’s decision to stay in California.
Gleb takes particular issue with Elena’s claim earlier that the Los Angeles County District Attorney’s Office “took steps” to find him and Olivia.
This characterization, he says falsely implies that he is hiding from authorities with his daughter… calling this “simply outrageous” and a complete lie.
Gleb claims that their daughter has reached the age of 16 and is choosing to restrict contact with her mom. He says Olivia decided to change her own phone number and not give Elena that new number.
Elena reported that Olivia had been supposed to come back to Hong Kong on July 9, but she never returned. Elena says that she is able to reach Olivia via Instagram, but does not have her address.
Entertainment
DGA and IATSE Urge Rob Bonta to Settle With Paramount
Directors Guild of America (DGA) and IATSE, the California attorney general’s union, are calling on Rob Bonta of California to resolve his antitrust case with Paramount. They argue that continued uncertainty regarding Warner Bros. is detrimental. Discovery merger will hurt the industry.
On Wednesday, the two unions sent a letter of request to Bonta as well as Paramount Skydance’s CEO David Ellison. They urged both sides to reach an agreement which would address their concerns about harms to competitiveness.
The two unions expressed their concern about the impact that a delayed decision on the merger proposal would have on the members of the respective unions and the entire industry.
This letter places the unions in conflict with the Writers Guild of America which has filed a separate antitrust lawsuit to attempt to stop the merger. This antitrust lawsuit has caused divisions in the movie industry. Both Regal Cinemas, AMC Theatres, and Cinema United have all backed the merger.
Bonta, along with a coalition consisting of 12 state attorneys general, filed a lawsuit in July to stop the merger. They argued that it would create an illegal concentration in the markets for basic cable distribution and the theatrical market. Araceli Martinez Olguin, a judge in California, issued a temporary order halting the merger. Last week, a trial date of March 2, four months after Paramount had preferred, was set.
Ellison is trying to get Bonta at the table to negotiate. He has also been working on rallying support within the film industry for this deal. Bonta repeatedly stated that he was not interested in “behavioral remedies” — like a promise to release thirty movies per year within a 45 day window — and is instead focused on structural solutions, something Paramount is unwilling to consider.
Russell Hollander was the national executive director for the DGA and Matthew Loeb the IATSE international president signed the letter. In the letter, it is argued that the trial date of March 2, 2019 will be “damaging” for an “already-struggling industry”.
The letter says that the merger proposal is making things worse for our members, who are struggling to find work. We are aware that productions have been put on hold, or even canceled completely. This has led to a further decrease in the amount of work available for our members.
In the letter, the unions urge the two parties to reach an agreement on certain conditions. Many of these Paramount already accepted, including the requirement that the studios continue to operate as two separate companies, each producing at least fifteen films per year. They also ask Paramount to commit to continuing licensing outside content at the same level as it was before the merger.
The unions will urge both the states and Paramount to accept an earlier date for the trial if they cannot come to a compromise. Paramount was eager to have a faster timeline. However, states requested time from the judge to obtain documents and depose Paramount executives in order to strengthen their case.
Entertainment
Mark Consuelos reveals his divorce dealbreaker with Kelly Ripa
Mark Consuelos has a dog that he believes is a deal breaker in divorce proceedings.
The co-host of “Live with Kelly & Mark” joked that it would be better to remain married with Kelly Ripa in an “unlovely marriage” than have their dog Lena separated.
The couple discussed the issue during a pre-recorded episode on Aug. 11, which was recorded before Ripa left for an extended leave of absence to recover from her gum graft operation. The couple talked about the Pennsylvania legislation that could change the way pets are treated in divorce cases.
Ripa said that, if the legislation is passed, it will “recognize animals as family members and elevate their status when situations like divorce occur.” After the conversation, they began to wonder what might happen to Lena in case their marriage ended.
Consuelos 55 made it very clear that he would not take losing his dog well. “I mean, listen. Just put it like this. Consuelos stated, “I would remain in an unhappy marriage to be able to spend every day with Lena.” That’s how much Lena means to me.
Ripa did not seem to be bothered at all by the hypothetical arrangement her husband had made. Is that what you want, a marriage without love? The talk show host said, “That can be arranged.” Before declaring the marriage to be done.
Consuelos went a little further with the joke, saying he’d “stay awake at night” thinking of Lena, if they split up. Ripa responded in a playful way that he might “wonder if she was being petted by another man.”
People magazine reports that the couple adopted Lena in March 2021, after seeing her on an adoption segment of “Live.” Lena is a Maltese-Shih Tzu cross. Ripa, Consuelos and the dog fell in love with her during the broadcast. They later adopted the pup into their home. Lena is now a regular presence on both the show and in the lives of the couple. She makes frequent cameos.
Consuelos had a rescue dog named Chewie who passed away in 2025, aged 17. Ripa was emotional when she announced Chewie’s passing on her show. She reflected on Chewie’s place within their family.
Entertainment
‘Bachelor’ and ‘DWTS’ Alum Melissa Rycroft Pleads Guilty in DWI Case
Melissa Rycroft plead guilty to her DWI in Texas and won’t be spending another day behind bars.
According to documents obtained by Us Weekly, the former “Bachelor” and “Dancing with the Stars’ alum received his sentence last week following a plea agreement. The judge signed off the deal on Monday.
Rycroft received a 20-month probationary period instead of the 280-day jail sentence… she was also ordered to pay $2,000 worth of fines and costs. Rycroft will also be required to perform 36 hours of community work, complete a DWI course and submit to a substance use evaluation.
Rycroft is subject to strict probationary conditions. She cannot consume alcohol or illegal drugs during her probation.
It’s prohibited for her to drive…unless the vehicle has an ignition interlock with camera.
Rycroft, a woman from New York City was arrested for DWI in September of 2025. The police report says that Rycroft told the officers she was involved in a hit and run, but her witnesses said it wasn’t true.
Rycroft is a former Dallas Cowboys Cheerleader. She addressed her arrest later on social media… saying that she was struggling, but still trying to move forward.
Entertainment
Tony Khan announces new matches, segments for tonight’s AEW Dynamite
Tony Khan made a number of announcements about tonight’s AEW dynamite.
The AEW President revealed just hours before the event that Persephone, CMLL World’s Women Champion and Hikaru will be teaming up against Thunder Rosa as well as TBS Champion Maya World.
“Persephone/@ShidaHikaru vs @MayaWorldd/@ThunderRosa22 Persephone & Shida got the win vs TBS Champion Maya World & her partner Hyan on AEW Collision! Thunder Rosa, who has a grudge against Persephone will now join Maya in a fight between Persephone/Shida tonight!
Khan also confirmed that Will Ospreay would appear tonight on the show.
Kris Statlander vs. Viva Van has been scheduled.
The episode tonight will be held at the Pearl Concert Theater in the Palms Casino Resort, Las Vegas. WrestleTix reported on Wednesday that 1,680 tickets had been sold for the show tonight.
Below is the updated line-up.
AEW Dynamite line-up for August 12, 2020
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