Entertainment
Orioles score 5 runs in 9th to beat the Blue Jays 6-5

ð Published: May 30, 2026
The Orioles had four hits in the ninth inning after managing only three and hitting into a season-high four double plays in the first eight.
Vladimir Guerrero Jr. had his first four-hit game since Sept. 5 for the Blue Jays, whose winning streak was halted at four. Toronto (29-30) was attempting to move over .500 for the first time since it was 4-3 on April 3.
After Orioles designated hitter Samuel Basallo walked back to the dugout grimacing and holding his left shoulder upon striking out against Jeff Hoffman to open the ninth inning, Coby Mayo was hit by a pitch. He scored on Leody Taverasâ triple, and Jackson Holliday followed with a single to right to pull the Orioles to 5-3.
Hoffman (4-4) then gave up a double to Colton Cowser before Taylor Ward worked a four-pitch walk. Gunnar Henderson followed with a walk to force in a run to end Hoffmanâs outing.
Adley Rutschman then walked against Connor Seabold to tie it, and Alonso singled up the middle against a drawn-in infield to win it.
Albert SuÃĄrez (2-0) allowed an unearned run in the ninth for Baltimore.
Toronto starter Trey Yesavage worked around seven walks to get through five innings of one-run ball. It was the most walks issued by a Blue Jay since current Oriole Chris Bassitt had seven on Sept. 23, 2024, against Boston. Yesavage allowed two hits and struck out four.
Brandon Young struck out a career-high seven in 6 2/3 innings. He allowed two runs on seven hits.
Up next
Toronto was set to start an opener prior to using RHP Spencer Miles (2-0, 2.16 ERA) on Sunday the series finale. RHP Kyle Bradish (2-6, 3.86) was scheduled to start for Baltimore.
Entertainment
Nolte: Luddites in Art Directors Union Attack Martin Scorsese for Using AI
As Breitbart News reported last week, legendary Oscar-winning director Martin Scorsese announced he has embraced artificial intelligence (AI), and as Breitbart News predicted, the Luddites are whining about it. | Entertainment
Source: Breitbart News Network | Published: June 10, 2026
Entertainment
Stonewallâs Legacy Canât Be Taken for Granted
ð Published: June 8, 2026
The National Trustâs endangered list is often associated with crumbling facades or vulnerable landscapes. Stonewall, by contrast, reminds us that history can also be endangered by something less visible but equally devastating: erasure of stories, denial of truth, and political attempts to silence communities. Stonewallâs inclusion on this list signals that LGBTQ+ history itself is under threat, and that protecting Stonewall is connected to protecting the rights and dignity of the people whose lives are bound to it.
As the first and only LGBTQ+ visitor center within the National Park Service, our endangered designation underscores what we already know: our histories, including sites like Stonewall, are not guaranteed to endure. In an era marked by federal efforts to strip away transgender protections and a broader political movement seeking to sanitize or ignore queer contributions to the American story, a permanent physical presence is a radical act. We are anchoring a history that many would prefer to see erased.
Stonewall occupies a singular place in American history because, much like we are seeing today, it helped unite and transform a community long relegated to the margins into a visible force demanding recognition, dignity, and equal rights. In the early hours of June 28, 1969, police raided the Stonewall Inn, a gay bar in New York City's Greenwich Village. But instead of quietly dispersing, patrons and neighborhood residents resisted, sparking several nights of demonstrations that crystallized growing frustration with discrimination and police harassment. The uprising became a turning point in the struggle for LGBTQ+ rights, energizing a new generation of activists and helping propel a movement that would reverberate far beyond New York.
One year later, in 1970, thousands gathered for the Christopher Street Liberation Day March, a protest now widely recognized as the first Pride parade. What began as a commemoration of the uprisings at the Stonewall Inn soon evolved into an annual tradition that spread across the United States and around the world. Over the decades, Stonewall became a global symbol of resistance and liberation, representing the enduring power of collective action to expand the boundaries of freedom and belonging in American life.
To create the Stonewall National Monument Visitor Center, we made a pivotal, deliberate decision from the outset. It would be a non-profit organization, privately and independently run, and entirely supported by donations. This choice was born of a desire for narrative sovereignty, ensuring that our story would never be subject to the shifting whims of political administrations.
Too often, the contributions of women, and specifically women of color, are marginalized or left unrecognized in the very movements they lead. Yet, this visitor center was conceived, built, and fought for by us: two queer women of color. Our identities added a deep layer of complexity to an already improbable undertaking.
Throughout this journey, we have primarily remained in the background, performing the quiet, unglamorous, and painstaking work required to build something new and necessary. But these times demand a different kind of stewardship. When symbols like flags are contested, when history is selectively remembered, and when even a national monument to LGBTQ+ resistance can appear on an endangered list, we cannot afford to remain invisible. We are stepping forward, alongside so many others, to safeguard this legacy, a task that requires visible leadership.
Now, we are asking our allies and advocates to do the same: to further their efforts to move from silent support to active, public commitment to protecting LGBTQ+ history and rights. The National Trustâs designation is not just a stark warning sign; it is a call to action for policymakers, donors, and communities across the country to recognize that places like Stonewall are irreplaceable.
In recent years, we have witnessed a coordinated effort to pressure corporations to withdraw their support for diversity and inclusion programs. Organizations like ours, which sit at the intersection of history and advocacy, find themselves in the crosshairs of a culture war that casts support for LGBTQ+ rights as a liability rather than a core value. Navigating the fundraising frontline in this climate is a sobering reminder of how undervalued LGBTQ+ history is. We live in a world that frequently celebrates the Pride aesthetic in June but turns away from the enduring, uncomfortable truths of our history when political pressure increases.
How can a nation embrace rainbow branding while failing to robustly protect the very sites where LGBTQ+ liberation took root? How can we claim progress if the physical and narrative foundations of that progress remain precarious?
In the 23 months since we first cut the ribbon to open our doors, the Stonewall National Monument Visitor Center has welcomed over 115,000 visitors from all 50 states, the District of Columbia, Puerto Rico, and 93 countries. Every day, we see the weight of this global reach in the faces of those who enter: the elders who were there in 1969, seeing long-overdue validation, and the youth who, for the first time, see a reflection of their own courage. That history, our history, is worth protecting.
Entertainment
Paramount Games Studio Launches, Paramount Skydance (NASDAQ:PSKY) Dives
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The new report from Variety suggested that Paramount Games Studio would serve as ââĶa unified gaming studioâ that combines Skydance Interactive and Skydance New Media with Paramountâs extensive lineup of intellectual property. Previously, Paramount licensed its IP to other game studios to handle production.
The studio has two titles in development right now: Marvel 1943: Rise of Hydra, and a Star Wars game that has no title yet, a collaborative affair with Disneyâs (DIS) Lucasfilm. Another title will be announced later today at the Summer Game Fest event. This move makes particular sense as Warner Bros. Discovery (WBD) already has a gaming division, and if the merger between Warner and Paramount goes through, Paramount will need to accommodate that content as well.
Speaking of the News DivisionâĶ
Reports out at Paramount suggest that CBS News personality and 60 Minutes alum Lesley Stahl has new agency representation, possibly ahead of an upcoming firing or departure. With Scott Pelley recently fired, and most of CBS News in turmoil ahead of the potential merger and acquisition of CNN, some are starting to wonder: when does David Ellison himself get involved?
Reports suggest that Weiss and new executive producer Nick Bilton are looking for more specialists and fewer generalists on the show to offer more authority and authenticity, but they are running off talent with decades of experience in the process. And some are beginning to wonder if Ellison himself is looking to turn 60 Minutes into the next Dateline NBC: a diminished TV operation, but a big deal on YouTube and podcasts.
Is Paramount Stock a Good Buy Right Now?
Turning to Wall Street, analysts have a Moderate Sell consensus rating on PSKY stock based on one Buy, four Holds and four Sells assigned in the past three months, as indicated by the graphic below. After a 10.4% loss in its share price over the past year, the average PSKY price target of $11.29 per share implies 9.78% upside potential.
Disclosure
Entertainment
Prices and rides wonât change at Silverwood in first summer under new owners, park directors reassure
When news broke that the Herschend Family Entertainment Corp. intended to buy Silverwood Theme Park from its owners and founder, regular park-goers were quick to wonder how this would change the largest theme park in the Pacific Northwest.
Source: Spokane Spokesman-Review | Published: June 4, 2026
Entertainment
Nolte: âSupergirlâ Budget Revealed as Whopping $175 Million
Tucked away inside the far-left Deadlineâs free ad (âSupergirl Advance Tickets Go On Sale Before DC Picâs June 26 Openingâ) for the upcoming Supergirl is the real news: this sucker cost $175 million to produce. | Entertainment
Source: Breitbart News Network | Published: June 4, 2026
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