Entertainment
The Way Home Series Finale Ending Explained

The Landry family took one last dip in the pond on Sunday with the heartbreaking, century spanning series finale of Hallmark Channel’s “The Way Home.”
Let’s dive right in with two of the finale’s most anticipated moments: Casey is revealed to be Jacob and Abby’s child from the future, and Elliot finally gets around to putting a ring on Kat’s finger. Is it the perfectly timed proposal he envisioned? Maybe not, but if there’s one thing this show has taught us, it’s that timing is rarely perfect.
Naturally, the pond also plays a key role in the finale, providing the happiest endings possible for some of the show’s more tragic storylines: Fern goes back one day to tell Cliff about her pregnancy, so at least he would know he was going to be a father before dying in the mines; Jacob returns to 1820 to check in with his old family, who help him release his anger towards the pond and embrace his future with Abby; Del jumps back to 1999 for one last dance with Colton, giving her the closure she needs to move forward with Sam; and Elliot learns that his mother actually survived the explosion.
Alice also gives a long-overdue apology to Evelyn for essentially gaslighting her all these years, then encourages her to reconnect with Max. Speaking of Max, even though Alice chooses to prioritize herself moving forward, she still confesses her feelings for Max before she leaves for college.
It all culminates sometime in the future with the town’s founding families coming together for Jacob and Abby’s wedding, along with a few familiar faces from the past watching (spiritually) from the sidelines. But it doesn’t end with the exchanging of vows; before the finale cuts to black, we’re left with Kat and Alice jumping back into the pond for another adventure. After all, “every ending is a new beginning.”
Below, “The Way Home” showrunners Heather Conkie and Alexandra Clarke answers some of TVLine’s burning questions about the series finale, including the story behind Casey’s big reveal, why we didn’t get to see Kat and Elliot’s wedding, and what time the ladies might be off to next.
TVLINE | For a family drama, this show is incredibly complicated, with a lot of unanswered questions to keep track of. What was your biggest challenge in putting this finale together?
CONKIE | [Laughs] Keeping track of it! I remember Alex [Clarke] making a list of all the outstanding questions, and it was so long. I said, “How are you going to do that?”
CLARKE | Exactly, “how are you going to do that?” Because then I had to go write it! [Laughs] No, it was a labor of love. We did make a list, and we are so grateful to Hallmark that they gave us extra time to answer the questions that needed to be answered. I don’t know how we would have done it in the time that we normally have, which is 41 minutes and 57 seconds. We had about 20 more minutes this time, which was so incredible and such a gift.
TVLINE | I wouldn’t say you gave everyone a “happy” ending, but for characters like Fern, was your goal to give them the happiest ending you possibly could, given how we know their futures turn out?
CLARKE | Yes, and it’s such an important thing to stay true to your rules that you set when you’re dealing with this kind of a show. You can’t break them. What happened will always happen. Colton died. I know a lot of fans ask, “Why can’t they bring him back to life somehow?” And as much as we are a bit of a fantasy show, we’re not that much of a fantasy show. We’re trying to be as real as possible with this beautiful gift of time travel in this little pond on their property. So I think you’re exactly right, we needed to give the best possible endings that also stayed true to the rules and true to what our characters really needed.
Del, through all four seasons, has never had that closure with Colton. They were at odds when he passed away, then she found out the money was all gone, and she thought he was having an affair. She thought that for 20 years until Kat came home and started to solve these mysteries. Anyone she’s met, be it Byron or Sam, she has subconsciously held them at arm’s length because she’s never been able to say the words she needed to say to Colton, which were that she’s sorry for not trusting him. And she’s never been able to hear the words from Colton that are so key in that scene, which are, “Please be happy. Be happy for me.” Now that she’s gotten that, I think her story can really begin.
CONKIE | It certainly wasn’t a happy ending for young Fern, but she got her five more minutes, and Kat was able to do that for her. That scene is heartbreaking, and the actress [Bianca Melchior] is just stunning in it. She does such a good job pretending everything is fine, knowing this is her last time to see him. So I think that’s her form of a happy ending, because she did get that moment with him and he knew he was going to be a dad.
CLARKE | From the happy ending perspective, we’ve all been rooting for Elliot and Kat through the seasons, and to see that proposal, to see the ring go on her finger, that was such a beautiful moment to shoot. It felt like this perfect way — in an imperfect way — to finish that story for them. That was a really lovely moment to write. The other one is the Jacob and Abby of it all. Seeing Jacob find peace and love in present day, and seeing him feel like he finally fits somewhere after so long, was a really lovely moment.
TVLINE | Yeah, let’s talk about Jacob and Abby. I loved seeing everyone, past and present, at their wedding. Just to be clear, they weren’t physically there, right? They didn’t all jump forward to attend the wedding?
CLARKE | [Laughs] No. On our show, we have flashbacks, we figments, and echoes. A flashback is when we go back in time and remember a moment; an echo is when you’re in a space and remember something happening there in the past, and that figure kind of runs in and out; and a figment is something we conjure up in our mind to help us when we’re missing someone. Del has had a lot of figments of Colton on the show, and Kat had a very infamous one with with Thomas down at the pond. So those are figments. They’re there because our characters are imagining that they couldn’t do this wedding without them.
TVLINE | OK, I thought so, but I didn’t know if you just decided to throw out the rulebook at the very end.
CLARKE | [Laughs] Can you imagine? … Surprise!
CONKIE | The rule book was thrown into the pond.
TVLINE | And now we know that Casey is Jacob and Abby’s child! The fans have been cooking up a lot of theories about Casey over the seasons. Have you had fun seeing what everyone has guessed?
CLARKE | Yes, it’s crazy.
CONKIE | And we actually played with different things in the first couple of seasons. We went back and forth a couple of times. But it was the thing we wanted to do for sure. And then when we cast [Holly Deveaux] as Abby, I mean, she had the blue eyes and pale skin. And there’s Jacob with his blue eyes and pale skin.
CLARKE | We were actually worried it was giving it away too much, but at the same rate, the chemistry between Holly and Spencer was just too good. We couldn’t pass it up. But yeah, we were very worried when Holly came on board that the jig would be up very fast. It’s been really fun to see the various theories about who Casey could be, how they play into the family, and just how far in the future they’re from. Hopefully people are satisfied with the actual answer to that.
TVLINE | Does Casey actually go by Goodwin, or was that just a name they used to throw people off their trail?
CLARKE | That’s just what they say to everyone there because they’re well-versed in the rules of the pond, what you can and can’t do as a time traveler, and the etiquette of not telling someone their future. If they wanted to be part of Kat’s life when they came in as an intern, they couldn’t say their last name was Landry because that would immediately tell everyone that they’re part of their future. Casey was very sneaky and very smart that first season. I think what’s so great is that it tells the audience that in Casey’s time, the pond is not a secret. The pond is very similar to how Fern was raised. It’s a constant dialogue in the family. It tells the audience that Kat, Alice, and Jacob have made sure that the lore is a part of the dialogue now, rather than being this secret.
TVLINE | It was wonderful to finally see Kat and Elliot get engaged, but I’m sure the fans would have enjoyed a wedding as well. Did you ever consider taking us all the way down the aisle with them?
CLARKE | We considered everything when we first realized it was going to be a finale finale, but I think Jacob’s wedding bizarrely outweighed Kat and Elliot’s in that it gave us the most closure about what’s going happen with all of these families moving forward. All three founding families are part of that wedding, and they’re finally all at peace with one another.
We really did explore this season, in the ’70s and ’80s, that there was this really beautiful time when it was Vic, Tessa, Dylan, Colton, and Evelyn around the kitchen table having kitchen parties — and then it all fell apart. To see these founding families all come together for this wedding was a really important thing for us to leave the audience with. There’s peace there. There’s love there. There’s a lovely foundation again, and that’s a result of Jacob and Abby getting married. So he was kind of “The One” all over again. He was the one that saved the family and made it able to exist, and then he was the one who brought all the feuding families together.
TVLINE | And what can you say about what the future holds for Alice and Max now that they’ve expressed how they feel about one another?
CONKIE |It’s hard to know at that age. Have you heard of a turkey dump?
CLARKE | It’s this idea that high school sweethearts leave for college, they sort of go off in their own worlds, then they come back for Thanksgiving and someone gets dumped because there’s been this thing of freedom in the college life.
CONKIE | There could be a turkey dump in her future, who knows!
CLARKE | What’s nice is, regardless of the fact that they kissed, regardless of the fact that they do end up expressing this desire for one another, Alice chooses herself. She goes to New York. We were very careful at the wedding not to have them coupled up. They’re on either sides of the aisle, and yes they share a really lovely smile, but it’s up to the audience to interpret whether that means they’re together or it means they’ve just kept in touch. They were really good friends, and I think Max says it best: “I’ll be wherever you need me to be, but the road you’re on leads to you, not me.” I think that’s exactly how they go into college. He’s in Toronto and she’s in New York. If their roads them back to each other, great, but if they don’t, OK.
CONKIE | I think it would be very cool if they were together and living at Lingermore eventually.
TVLINE | The finale leaves us on a cliffhanger of sorts, with Kat and Alice jumping back into the pond. Where are they headed? Do you even know, or was that just a fun way to close out the series?
CLARKE | We have our idea of where they wound up for sure, but that scene was always going to be the way our show was going to end, with the idea that they’re going to go on another adventure. They’re going to go on another jump, we just don’t get to go with them this time. We wanted to leave it open-ended in that way. This was never going to be a show that ended by saying, “Well, that’s it for the pond. Thanks, we got what we needed.”
CONKIE | Not even if they wanted to. They’re completely addicted [to it].
CLARKE | It was important for us to show that that was going to continue. They’ve made such beautiful relationships in all these different eras, there was no world where they would just walk away. So to have them jump at the end and say that an ending is just another beginning was so important to us because we want people to come away from it thinking that they’re still doing that.
OK, let’s talk: What were your favorite moments from “The Way Home” series finale? Were all of your questions answered? Grade the episode below, then drop a comment with your full review.
Entertainment
‘RHONY’ Newbie Daisy Dragged By Costar Over Longtime Boss Martha Stewart
Martha Stewart’s longtime makeup artist, Daisy Toye, ruffled feathers during production on her first season of “The Real Housewives of New York” … after she allegedly told pals she wanted to trade her job with Martha for her fifteen minutes of fame … TMZ has learned.
Sources close to production tell TMZ … Daisy has made it clear behind the scenes that she hopes to launch a new career with ‘RHONY’ … which will let her stop working with Martha, whom she has been working with for 2 decades.
One source told us they felt Daisy was leaving Martha “high and dry” for fame.
We’re told Daisy’s loudest critic was her costar Sai De Silva … she knew Daisy for years before the show and called her out during production. Our sources tell us Sai, who is going through her divorce, claimed Daisy had an elitist attitude and wasn’t supporting her through her personal issues.
Our sources say Sai finds Daisy’s behavior “gross” and dragged her for filth during the seaspm.
During filming, the cast asked Daisy if she was in Martha’s will … and our sources say Martha will be shocked when she sees what happens on screen.
One source said … “It’s not a good thing.”
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‘Intoxicated’ man dies after jumping from Madison Square Garden balcony at Goose concert
A Connecticut man jumped to his death at a concert over the weekend at Madison Square Garden in New York, with witnesses telling authorities that he appeared to be “intoxicated,” according to a report.
Paul Kueker, 51, a father of two, was celebrating his 25th wedding anniversary with his wife at Saturday’s Goose concert when he was captured on video falling head-first from a balcony in the 300s section and landed on other concertgoers below, according to the New York Post.
Kueker appeared to be “intoxicated” and “under the influence” before going over the 4-foot glass barrier shortly before 10 p.m., law-enforcement sources told the outlet, citing witnesses.
The man was unconscious and unresponsive after hitting the ground, police said.
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He was then rushed to Bellevue Hospital, where he was pronounced dead.
Several people he landed on suffered minor injuries, other sources told the outlet.
Kueker’s wife was by their assigned seats three sections away when the incident occurred, sources told the New York Post.
She was unaware of what happened to her husband until she was notified by authorities, according to the report. She thought her husband had taken a bathroom break.
New York City’s medical examiner’s office said on Monday that the cause of Kueker’s death remains under investigation. As part of the probe into the incident, the medical examiner said it was conducting a toxicology report.
In a statement to Fox News Digital, Madison Square Garden said, “While we await the police report on the tragedy at last night’s Goose concert, we are deeply saddened by the loss of a fan’s life at Madison Square Garden.”
OLIVER TREE’S LOVED ONES REVEAL HIS FINAL WISH AS SINGER’S BODY RETURNS TO CALIFORNIA AFTER HELICOPTER CRASH
“Our hearts go out to the family and friends of the concertgoer,” the statement added.
The rock band, which consists of Rick Mitarotonda, Trevor Weekz, Peter Anspach and Cotter Ellis, released a statement shortly after the incident, extending their condolences to the victim’s family and loved ones.
“We are deeply saddened and heartbroken to learn of the tragic event that occurred at tonight’s show,” the band said. “We extend our deepest sympathy to everyone affected. Thank you to the emergency personnel and venue staff who stepped in with care and support.”
According to a GoFundMe page created by his daughter, Kueker was “a loving father, family man, and friend whose presence brought warmth and laughter wherever he went.”
“He loved spending time with his family and cherished every moment he shared with the people he loved. Whether he was cooking a meal for those around him or attending a concert to enjoy live music, he found joy in life’s simple moments and creating memories with others,” the fundraiser reads.
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“The sudden loss of our dad has left our family heartbroken. We are struggling to process this unimaginable tragedy while facing the expenses that come with laying him to rest,” it added.
Entertainment
Music mogul behind Whitney Houston dies at 94
Clive Davis, one of the most influential record moguls in music history and the mastermind behind the careers of Whitney Houston, Barry Manilow, Earth, Wind & Fire, Alicia Keys and dozens of other artists, has died at 94.
Davis’ family confirmed in a statement shared with USA TODAY that he “passed away peacefully from age-related illness” at his Manhattan home on June 22, “surrounded by his family and loved ones.” Davis had recently been hospitalized for an upper respiratory infection.
With his omnipresent tinted glasses, dense Brooklyn accent and natty suits, Davis presented the image of an industry titan for seven decades.
He was both beloved by artists – “he’s like family to us,” Earth, Wind & Fire’s Verdine White told USA TODAY in 2021 – and maintained an unwavering affection for the music industry deep into his career.
“I found, by accident, a role for music in my life that became a natural part of me and I realized I had a natural gift for discovering artists,” Davis told USA TODAY in 2022, shortly before his 90th birthday. “Everybody faces challenges, but the importance of the work ethic, of keeping the bar up there for the standard of excellence – I feel that was very much a part of my life.”
Manilow, whose career ignited in 1974 with “Mandy” – a song Davis brought to him as a rock track with the title “Brandy” – says that initial experience led to a 50-plus-year relationship with Davis as professionals and friends.
“When I did my version of what we changed to ‘Mandy’ in one take with the vocal and piano and then added strings and horns and drums, that was the big moment for Clive to figuring out my strength,” Manilow told USA TODAY in 2026. “It’s been a lot of arguing over the years, but we both respect each other. It’s been a decent relationship when it comes to the music. And then it’s been an even better one as friends.”
Even as he aged, Davis was still deeply involved in choosing talent for his annual Pre-Grammy Gala. Days before the show, he could be found in his bungalow at the Beverly Hills Hotel in California, poring over his comments for that year’s event and talking excitedly about the newcomers he’d plucked to perform alongside legends.
“It’s not a matter of that I still want to be part of [the industry], I just am. And I wouldn’t change it for anything,” he told USA TODAY in a 2024 interview in his hotel suite.
Clive Davis ascends from lawyer to record label impresario
Clive Jay Davis was born April 4, 1932, in Brooklyn, New York. After the death of his parents while Davis was in his teens, he moved to Queens, New York, to live with his sister.
His scholastic endeavors brought him first to New York University College of Arts and Science, where he earned a degree in political science, then to Harvard, where he received a full scholarship and graduated in 1956.
Davis’ career began not as a music impresario, but a lawyer. In 1960, Davis joined the legal department of Columbia Records, a subsidiary of CBS Records, as a contract lawyer. His business acumen – such as successfully renegotiating a contract for Bob Dylan – caught the attention of CBS Records honcho Goddard Lieberson, and in 1967, Davis was appointed head of Columbia Records.
For years, Davis unearthed musical talent that would escalate into landmark artists: Janis Joplin, Santana, Bruce Springsteen, Billy Joel, Chicago, Pink Floyd, Earth, Wind & Fire and Aerosmith were but a handful of his discoveries.
Davis’ ability to pinpoint talent was often tied to his nose for commercial success and ear for hits.
“If it wasn’t for Clive and Columbia Records in 1972, Earth, Wind & Fire as you know it today just wouldn’t be here on this level,” the band’s Ralph Johnson told USA TODAY in 2026. “He had vision, and it was his vision in conjunction with [band founder] Maurice White’s vision that made it happen. It was one of the greatest relationships ever.”
But despite his innate ability for star making, Davis’ early career was tainted by a scandal.
In 1973, Davis was fired from CBS/Columbia after a government investigation into the financial irregularities in the record industry found that he used company money for personal expenses. A civil suit filed against him charged Davis with illegally spending almost $94,000 in corporate funds for items including a bar mitzvah for his son at the Plaza Hotel and redecorating his Central Park West apartment, according to The New York Times.
Davis denied the charges and three years later, after pleading guilty for failing to report $8,800 in income on his 1972 Federal tax return, received vindication from the judge in the tax evasion case.
A New York Times story from 1976 noted that the judge said Davis was “a victim of ‘appalling publicity’ that had unfairly linked him to charges of payola and organized crime in the record industry. The only indictment against him was for tax evasion.”
Clive Davis steers Arista Records to major success with Manilow, Springsteen
By then, Davis had been named president of Columbia Pictures’ record and music division, which merged its various labels into one – Arista Records.
While helming Arista – a post he held from 1974 until 2000 – Davis achieved massive success. Three months after the company started, Manilow struck lite-rock radio manna with his No. 1 hit, “Mandy.” Throughout the 1970s, Davis either discovered or steered the careers of artists ranging from Carly Simon to Springsteen to The Grateful Dead, who sometimes changed the lyrics to their song “Jack Straw” in concert to, “we used to play for acid, now we play for Clive.”
“He wanted us to at least be aware of the fact that you’re gonna say what you’re gonna say, but the presentation is going to dictate how people listen to it,” Grateful Dead guitarist Bob Weir told USA TODAY in 2022 about Davis. “He was older than us so we had to take [his advice] seriously. He knows art when he hears it. So that lyric, it was kind of snide, but we never meant it as derogatory.”
Post-1979, Davis shepherded the career of Aretha Franklin, telling Billboard in 2016 that “Aretha belongs to all-time hits that still resonate.”
Clive Davis’ discovery of Whitney Houston among his biggest
One of Davis’ most monumental discoveries was Whitney Houston. The pair enjoyed a close professional relationship throughout her career, but, as Davis wrote in his 2013 memoir, “The Soundtrack of My Life,” not even he could successfully intervene to curb her drug use.
Following Houston’s missed opportunity to perform at the 2000 Oscars, Davis told the troubled songbird she needed to go to rehab, “She told me point-blank – politely, but in no uncertain terms – that whatever was going on with her was a personal matter and she had it under control. … She was in complete denial,” he wrote.
Houston died in February 2012, a few hours before Davis’ Pre-Grammy Gala at the Beverly Hilton in Los Angeles, a storied tradition he began in 1976.
Davis served as co-producer on the 2022 Houston biopic, “I Wanna Dance with Somebody,” which he told USA TODAY was one of his “most meaningful” projects. Stanley Tucci portrayed Davis in the film.
Along with detecting Houston’s talent in 1983, Davis culled a coterie of other radio regulars in the ’80s and ’90s – Thompson Twins, Taylor Dayne and Ace of Base among them – before expanding the Arista empire.
In the late-’80s he enlisted L.A. Reid and Babyface to form the subsidiary LaFace Records – which boasted a roster featuring TLC, Toni Braxton, Usher, OutKast and Pink – and in the mid-’90s partnered with Sean “Puffy” Combs to create Bad Boy Records, which spawned the careers of Notorious B.I.G., Faith Evans and Combs.
Davis was inducted into the Rock and Roll Hall of Fame in 2000, the same year he left Arista. After learning that his bosses at BMG Entertainment were reportedly planning to replace him with Reid – which they did – Davis quit and later that year founded J Records.
Under his guidance, J Records ignited the careers of Alicia Keys, Jennifer Hudson and, through a joint venture with Octone Records, Maroon 5.
“I’ll never forget meeting Clive. I remember him being really appreciative and celebratory of the fact that I was my own artist. And I remember feeling so inspired,” Keys told People magazine in 2016. “[He] knew that if people could lay their eyes on me, if they could see what he saw, then they would see what he saw.”
In Davis’ nearly 600-page memoir, he documents lively behind-the-scenes tales, including Janis Joplin offering to consummate her record signing in more ways than one, Manilow bristling at recording “I Write the Songs,” and missing out on signing Elvis Costello and Meat Loaf.
A complementary documentary, “The Soundtrack of Our Lives,” arrived in 2017.
In his book, the twice-married Davis who is the father of four children, also revealed that he was bisexual.
He elaborated on his sexual fluidity in a 2019 Rolling Stone interview.
“I embraced bisexuality, which is the most misunderstood term in sexual identity. I never felt it was understood by much of the straight or gay community. You had to be either gay or straight — there was no in-between. I just opened myself up to the person rather than to the gender,” he told the magazine.
Why Clive Davis was the quintessential New Yorker
In August 2021, Davis spearheaded “We Love NYC: The Homecoming Concert,” an all-star gathering in Central Park designed to celebrate the reopening of the city after more than a year of pandemic-fueled strife.
Davis crafted a marquee lineup that included Springsteen, Earth, Wind & Fire, Jennifer Hudson, The Killers and Paul Simon, but a massive thunderstorm silenced the show before many of the top names could perform.
Still, it was a fitting inclusion in Davis’ fabled career, because no matter his worldly accomplishments, his heart always remained in his hometown.
Entertainment
Jay-Z’s Roc Nation Scores Major Win in Tony Buzbee Legal War
The bitter legal war between Jay-Z and attorney Tony Buzbee just took another turn and this round went to Roc Nation.
According to court docs, obtained by TMZ, a Texas judge has dismissed all claims against Jay-Z’s company in lawsuits brought by two former Buzbee clients for lack of jurisdiction. The litigation involves claims Roc Nation and lawyers working with Jay-Z’s camp improperly targeted Buzbee’s clients amid the fallout from the Diddy scandal and later allegations involving Jay-Z.
The lawsuits were among several legal offshoots spawned by the escalating feud between Buzbee and Jay-Z’s team after Buzbee filed a now withdrawn lawsuit that included claims of sexual assault against the rap mogul.
Jay-Z denied the allegations and aggressively fought back, claiming Buzbee of pursuing false allegations and launching multiple legal challenges against the attorney.
Now, a judge ruled the state lacks personal jurisdiction over Roc Nation and dismissed the claims against the company. The ruling does not address the merits of the allegations, so it’s possible the claims could be refiled elsewhere.
Entertainment
PICTURED: Where Taylor Swift Hosted Her Bachelorette Party
Taylor Swift held a lavish, celebrity-filled bachelorette bash at her iconic Rhode Island mansion—just weeks before she and Travis Kelce are set to exchange vows.
The countdown to Swift and Kelce’s wedding is officially on, and this weekend, the “Lover” hitmaker, 36, reportedly welcomed her closest friends to her Rhode Island estate, which is famously nicknamed Holiday House, for a lavish bachelorette celebration, according to TMZ.
The outlet reported that several of Swift’s longtime friends arrived at the waterfront property, with fireworks later lighting up the sky above the home as the festivities got underway.
Details surrounding Swift and Kelce’s big day remain shrouded in secrecy, though recent reports have fueled speculation that the pair will say “I do” at New York City’s Madison Square Garden on July 3.
The singer’s decision to host the gathering at the estate comes as little surprise.
Over the years, the sprawling residence has become synonymous with her star-studded Fourth of July celebrations, which have drawn a host of celebrity guests.
According to neighbors, the festivities wrapped up by Friday, with Swift’s guests departing early Saturday morning.
Meanwhile, while the bride-to-be celebrated with her inner circle in Rhode Island, Kelce was spotted spending time with friends on the opposite coast in Los Angeles.
Though she has taken a few years off from her hosting duties—namely when she dated British actor Joe Alwyn, from 2017 until 2023—the singer’s parties have become one of Hollywood’s most talked-about A-list gatherings.
The residence—which is located in the exclusive enclave of Watch Hill in Westerly and is known locally as “Holiday House”—currently sprawls across 11,000 square feet and features seven bedrooms and nine bathrooms.
However, it was revealed in 2025 that Swift was carrying out some extensive renovations that will see the property outfitted with an additional bedroom, while one of the existing rooms will be turned into an “enlarged bedroom suite,” according to the planning application.
In total, the project will add 400 square feet to the property.
The renovation will be completed by a team of Rhode Island–based contractors, led by David W. Shafovaloff, who is located in Hope Valley and describes himself on LinkedIn as a “self employed construction project manager” who specializes in “high end residential and commercial construction.”
Should the renovations be done and dusted, it’s thought that Swift will want to take full advantage of her waterfront property for the holiday, particularly given that she was unable to host the annual gathering in 2024 because she was traveling the world on her “Eras Tour.”
Swift’s close connection to the Rhode Island house is no secret—with one source telling Us Weekly in August 2024 that the singer visited the property that same month with the likes of Lively, Ryan Reynolds, Patrick Mahomes, and Jason Kelce, in order to ground herself in the midst of her busy tour.
“Taylor has been on tour and working nonstop, and she loves the Rhode Island house and wanted to spend some time there while the weather is still good and she can enjoy it,” the insider explained.
“It has felt wonderful to be grounded back home again. It’s been grounding to see friends and family and spend quality time with everyone, chat and get downloaded on everyone’s worlds because she has been so busy and disconnected.”
The Rhode Island house is also where Swift is said to have headed almost as soon as her “Eras Tour” wrapped—and where she is understood to have taken some much-needed time off, alongside Kelce.
In addition to its many bedrooms and bathrooms, Swift’s opulent home currently features a 36-foot-long parlor and an octagonal dining room.
The news of her bachelorette party comes mere days after NYC Mayor Zohran Mamdani confirmed that Swift and Kelce are going to say “I do” in the Big Apple—revealing that the highly anticipated wedding will take place before the FIFA World Cup draws to an close on July 19.
Mamdani, 34, who was sworn in as mayor of New York City on Jan. 1, 2026, let slip the information during a press conference in which he addressed the NYPD’s ability to keep New Yorkers safe during large events, particularly when so many big-ticket occasions are taking place at the same time.
Speaking specifically about the World Cup, which is being hosted by 16 cities across the U.S., Canada, and Mexico—with the final set to take place at MetLife Stadium in New Jersey—Mamdani noted that New York is more than equipped to handle the pressures associated with such a large-scale event, even when it coincides with Swift and Kelce’s nuptials.
“We are used to big events, and we are incredibly excited for [the FIFA World Cup],” he said. “We know it coincides with the Knicks’ [NBA] Finals run. We know it coincides with July 4, America 250, Taylor Swift’s wedding—all happening at the same time—and we are so excited to welcome the world here.”
His comments will no doubt reignite furious speculation that Swift and Kelce, both 36, are due to wed in a dramatic ceremony at the iconic Madison Square Garden on July 3—following early reports that they were planning to tie the knot in Rhode Island.
Focus has only recently turned to New York as the suspected host city for the couple’s wedding after months of speculation that the duo had nailed down a wedding venue near the pop star’s stunning vacation home in Westerly, RI.
In April, Page Six reported that Swift and Kelce are planning to wed in New York—where the singer also owns a home—claiming that their “save the date” not only lists the Big Apple as their location of choice, but also notes that they will tie the knot on July 3.
Previous reports had suggested that Swift and Kelce’s wedding would take place on June 13 in a nod to the “Bad Blood” singer’s lucky number.
If the latest reports are true, the A-list couple will join a long line of celebrities who have wed in New York City, where Swift has owned property for more than a decade.
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